Ways of Seeing: The Growth of the Everyday Everywhere Movement
Whether through digital channels, print or on exhibit, the impact, influence and reach of the still image has never been greater. But with so many images fighting for our attention, how do photographers make work that most effectively stands out and connects with an audience. In this seven-part series, TIME looks back over the past 12 months to identify some of the ways of seeing—whether conceptually, aesthetically or through dissemination—that have grabbed our attention and been influential in maintaining photography’s relevance in an ever shifting environment, media landscape, and culture now ruled by images.
There is little doubt that when Everyday Africa was launched by photographer Peter DiCampo and writer Austin Merrill in 2012, it offered a welcome and refreshingly positive take on a continent that was so often portrayed through strife, turmoil, war and famine. The project—made with smartphones and disseminated through social media platforms including Tumblr…
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